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Article #203Re: Equal Volumes
From: SteveG
Date: Mon, 16 Feb 2009 10:58
Date: Mon, 16 Feb 2009 10:58
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Commerical projects are most always perfect. I can't believe that the
people who make these rely completely on ears.
They don't have to on most 'commercial' projects, because the dynamics are squashed out of existence. The more squashed the dynamic range of a recording, the less you need ears, and the more painful the result is to listen to.
But, if you find a well-recorded album with a sensible dynamic range, and the tracks all sound as though they 'belong' together, chances are that the most important thing that a good mastering engineer has done is to have his ears all over it - because that's the only way to do it satisfactorily. There are certainly some tools to help, but the ultimate decision has to be aural.
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X-Google-Thread: 1f0032,5409cf17090a1fed X-Google-Attributes: gid1f0032,domainid0,public,usenet X-Google-Language: ENGLISH,ASCII-7-bit From: SteveG <member@adobeforums.com> Path: arc1-ca.pugleaf.net!g2news2.google.com!news2.google.com!newshub.sdsu.edu!webcrossing Newsgroups: adobe.audition.windows Subject: Re: Equal Volumes Message-ID: <59b7ee09.4@webcrossing.la2eafNXanI> Date: Mon, 16 Feb 2009 02:58:57 -0800 References: <59b7ee09.-1@webcrossing.la2eafNXanI> Lines: 14 MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: 8bit