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Article #2880Re: Dithering and the Noise Shaping Paradox
From: arnyk
Date: Wed, 27 Jul 2005 10:58
Date: Wed, 27 Jul 2005 10:58
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1648 bytes
<TimothyDavid@adobeforums.com> wrote in message news:3bbb80b6.-1@webx.la2eafNXanI > The difference between the four dithered, noise shaped > stereo mixdowns is only audible when the system is > CRANKED or is at low decibel level passages (i.e. a quiet > intro or pause in the music). When I examine/compare the > dithered, noise shaped stereo mixdowns on a frequency > analysis alone I see no major difference: same lows, same > mids, same highs. That's pretty much the usual results as long as the dither is adequate. And, given how noisy any real-world program material is compared to dithered 16 bits, it is possible that you may never find examples of inadequate dither. > Am I missing something? Perhaps you were mislead into thinking that differences among different kinds of adequate dither were going to be mind-boggling. Tain't so.
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X-Google-Thread: 1f0032,5c559eb7035a81d X-Google-Attributes: gid1f0032,public X-Google-Language: ENGLISH,ASCII-7-bit From: arnyk@adobeforums.com Newsgroups: adobe.audition.windows Subject: Re: Dithering and the Noise Shaping Paradox Message-ID: <6071126CE7B58BB6BF4CB66056E58BD4@in.webx.la2eafNXanI> Date: Wed, 27 Jul 2005 03:58:58 -0700 References: <3bbb80b6.-1@webx.la2eafNXanI> Lines: 25 X-Priority: 3 X-MSMail-Priority: Normal X-Newsreader: Microsoft Outlook Express 6.00.2800.1158 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: 8bit Path: arc1-ca.pugleaf.net!g2news1.google.com!news4.google.com!news.glorb.com!nntp.waia.asn.au!202.72.130.18.MISMATCH!quokka.wn.com.au!webx