🚀 go-pugleaf

That's interesting. In short that means I will need to keep the video to 100 IRE when shooting it.

Easier said then done. One would assume that the camera would not allow more than 100 IRE but it appears not!

I wonder how other people cope? I can't be the only person who is encountering this. I mainly experience it in high contrast scenes (for example a street with a cloudy sky). In such a scene it doesn't matter if the clouds are peak white because the main thing that people are looking at is the street.

Likewise another shot I had a problem with was in a radio studio. There was peak white on a monitor in the background but that was very small and it wasn't important if it was clipped. However that also threw Premiere into a fit.

Anyone got a workflow that isn't disruptive that can get around this? Is it fixed in V2?

Thanks.