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Article #11188Oteiza's exile
From: Mikel Susperregi
Date: Tue, 12 Apr 1994 14:24
Date: Tue, 12 Apr 1994 14:24
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----------------------------Original message---------------------------- Ooops my previous message was sort of mutilated -- my editor is not doing its job today, sorry. I hope this one will go through fine About Oteiza's self-imposed exile, I'm sorry to hear that piece of news. I think that many of us will miss him and in particular those who worked & collaborated with him. I love Oteiza's works, and I hope that he will continue to produce nice sculptures, but I must say that I don't find his ways particularly civilized. I personally agree with a couple of friends who've had the unspeakable patience to socialize with him that he is a rather repulsive chum. As B. Atxaga put it quite plainly in a recent interview to the weekly magazine `Argia', Basque intellectuals are excessively pressurized to side various political tendencies & they often get far too involved in politics at their career's peril. Writers, artists, philosophers, scientists,... they all need to communicate their message freely without prejudices, linguistical or political constraints of any sort. Culture can only grow in a relaxed atmosphere of tolerance and rational debate. Whatever the circumstances, this freedom must be granted to everyone without a trace of fear of verbal abuse. There are a few manifesto-in-hand `herriko taberna' closed-fist enfants revolutionnaires who don't quite grasp this idea, but who cares about these common people.. at the other side of the spectrum there are sadly intellectuals who also ascribe too much political weight to the words of their colleagues. I think that Jorge Oteiza belongs to these. His tempamental public attacks against his lifelong antagonist, the Basque sculptor Eduardo Chillida, have taken a very undignified turn and one can see how cheap can become the rhetoric of an angry artist. Oteiza fails to understand that Chillida is a far more talented and successful sculptor than himself (as an example of this, Chillida's exhibition at the Hayward Gallery in London in 1991 was a great success & several books have been published in English on his work, whereas I have found none on Oteiza, who to the best of my knowledge, remains little known beyond the BC and Spain) and criticizes the expense of Chillida's voluminuous art, arguing that it is because of Chillida's reputation & connections that he is commissioned expensive works of art by the Basque Government & other institutions. These accusations are just preposterous and I am glad that Basque politicians appreciate the genius of Chillida and don't share the inordinately prejudiced views of Oteiza on the subject of modern art. As far as Basque art is concerned, Chillida is just getting his just desserts, an appreciation of his talent. On the other hand, I think that Oteiza has been also very much appreciated in the Basque Country and abroad but he has to shrink his inflated ego to the proportions of his gifts. Basque art is certainly not family business & public money is not shared in petit commite as a right of birth but in accordance to achievements. And that's how it ought to remain. The last major political venture that brought Oteiza's provincial eloquence to the arena was the project of the Guggeheim museum in Bilbao. I am personally glad that the project will be materialized. There are many small museums in the Basque Country -- none of them of the standards of the main museums of modern art in Europe. The Guggeheim museum is an expensive project but it will attract mainstream temporary exhibitions, it will boost the art market in Bilbao and bring many visitors. Initially, Bilbao will be the only place in Europe showing the Guggeheim collection on a regular basis & in the long term this will certainly pay for itself. Big projects are certain to be very expensive. It is something that has to be accepted. I don't think that it is fair to say that $120m is an extravagant sum of money for a museum (with no permanent collection, but borrowing parts of the NY Guggeheim collection) and Oteiza is right to point out that this money could do much for Basque art by financing several art schools, but the government must get its priorities right at any given time and some sacrifices need to be made. Mikel.
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From: Mikel Susperregi <mps@thphys.ox.ac.uk>
Subject: Oteiza's exile
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