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Article #168Re: Visual Choices in "Ryan"
From: Joshua Redmond
Date: Wed, 16 Sep 1998 00:00
Date: Wed, 16 Sep 1998 00:00
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Roberto Tietzmann wrote: > > Some messages ago, "Ed O'Neill" wrote about "Saving Private Ryan" > > >Could this add new meaning to the film's use of *hand*-held > >camera? > > I agree with you, Ed. A film director's artistic/aesthetic competence is > measured by how adequate are the choices he or she does to tell the story. > In "Ryan", Spielberg clearly uses the hand held documentary style camera to > set us apart from the common clean and fluid steadicam shots abundant in > other films and "pull us into the action". That's right, Roberto. Furthermore, photojournalists of the day used hand-held cameras. - Josh ---- Screen-L is sponsored by the Telecommunication & Film Dept., the University of Alabama.
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X-Google-Language: ENGLISH,ASCII-7-bit X-Google-Thread: 1056ca,49c06f234355c348 X-Google-Attributes: gid1056ca,public From: Joshua Redmond <lerein@IBM.NET> Subject: Re: Visual Choices in "Ryan" Date: 1998/09/16 Message-ID: <36002BBC.B310CA44@ibm.net> X-Deja-AN: 392373750 Sender: Film and TV Studies Discussion List <SCREEN-L@UA1VM.UA.EDU> Content-Transfer-Encoding: 7bit Approved: NETNEWS@AUVM.AMERICAN.EDU * References: <199809160608.DAA09214@srv4-poa.nutecnet.com.br> Comments: ******************************************************** Approved-By: CHU001@BAMA.UA.EDU Content-Type: text/plain; charset=us-ascii MIME-Version: 1.0 Newsgroups: bit.listserv.screen-l