48K to 44.1K conversions

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Article #1720

#1720

From: Brian D Chamberlin
Date: Fri, 26 Apr 1991 19:32

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Over in the rec.music.synth there is a discussion regarding the 
hassles of SCMS copy protection currently found on DAT recorders.

Several people have suggested recording everything with a 48k 
sampling rate, then converting it down to 44.1k when mastering 
to a CD.

I was wondering what kind of problems we can expect when we do
this.  I suspect that we will see alaising and missing samples
giving an overall lower quality recording.  I suspect someone
reading this group knows more about this than I.  If that 
someone would shed light on this topic I would appreciate it.

Reply to me directly and I will post a summary, or post directly
to rec.music.synth if you prefer. 

Thanks.

brianc                       brianc@ei.ecn.purdue.edu

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Path: arc1-ca.pugleaf.net!utzoo!utgpu!news-server.csri.toronto.edu!rpi!zaphod.mps.ohio-state.edu!samsung!noose.ecn.purdue.edu!root
From: brianc@ei.ecn.purdue.edu (Brian D Chamberlin)
Newsgroups: comp.dsp
Subject: 48K to 44.1K conversions
Message-ID: <1991Apr26.193207.14310@noose.ecn.purdue.edu>
Date: 26 Apr 91 19:32:07 GMT
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Followup-To: rec.music.synth
Organization: Purdue University Engineering Computer Network
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