🚀 go-pugleaf

Allow me to comment briefly on the FAQ about DSP effects.  I'll forward a copy
to Phil for the official FAQ if appropriate.

Sample Mot DSP56001 code for stereo reverb, chorus, and flange is included 
with my freeware assembler for the 56001.  V1.1 was recently posted to
alt.sources and may be found (for the moment) via anonymous ftp on
newsun.novell.com /pub/a56v.1.1.tar.Z.  My reverb code, as well as another
implementation can be found on Dr. Bubb.

Attached are some additional postings with references, etc.

Quinn Jensen
jensenq@qcj.icon.com
jensenq@novell.com

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From: jk87377@cc.tut.fi (Juhana Kouhia)
Newsgroups: comp.music,rec.music.synth,rec.music.makers
Subject: Re: Effects Processing Algorithms?
Date: 2 Aug 91 22:32:33 GMT


In article <1991Aug2.122201.13558@unhd.unh.edu> pas1@kepler.unh.edu
(Paul A Simoneau) writes:
>
>The only answer I have received was :
>
>Musical Applications of Microprocessors, 2nd Ed.
>Hal Chamberlinj, Hayden Book Company, 1985.

William Alves posted this recently, how did you *all* missed it?

==========================================================================
From: alves@calvin.usc.edu (William Alves)
Newsgroups: comp.music,rec.music.synth,rec.music.makers
Subject: Re: Effects Processing Algorithms?
Date: 26 Jul 91 18:23:10 GMT

Here are some good references (in no particular order):

Blesser, Barry and J. Kates. "Digital Processing in Audio Sinals." In A. V.
Oppenheim, ed. Applications of Digital Signal Processing. Englewood Cliffs, 
NJ: Prentice-Hall, 1978.

Digital Signal Processing Committee of IEEE Acoustics, Speech, and Signal
Processing Society, ed. Programs for Digital Signal Processing. New York:
IEEE Press, 1979.

Strawn, John, ed. Digital Audio Signal Processing: An Anthology. Los Altos,
CA: W. Kaufmann, 1985.
  [Contains Moorer J.A. "About This Reverb..." and contains an article
   which gives a code for Phase Vocoder -- great tool for EQ, for
   Pitchshifter and more --jk]
 
Moorer, James A. "About This Reverberation Business." Computer Music Journal
3, 20 (1979): 13-28. (Also in Foundations of CM below).
  [Ok article, but you have to know basic DSP operations --jk]

Dodge, Charles and Thomas A. Jerse. Computer Music: Synthesis, Composition,
and Performance. New York: Schirmer Books, 1985.
  [Maybe you should leave this book and take...]

Moore, F. Richard. Elements of Computer Music. Englewood Cliffs, NJ:
Prentice-Hall, 1990.
  [...this book instead; recommented book --jk]

Roads, Curtis and John Strawn, ed.The Foundations of Computer Music.
Cambridge, MA: MIT Press, 1985.
  [Contains article on analysis/synthesis by Strawn, recommented
   article, also an another article maybe by Moorer J.A. --jk] 

Bill Alves
==========================================================================

Check more articles from Journal of the Audio Engineering Society
(JAES), for example more articles by Strawn.

Start with "Elements of Computer Music" by Richard Moore....
Order it to your library if not exists!

Juhana Kouhia



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From: jensenq@qcj.icon.com
Subject: The Computer Music and Digital Audio Series
Keywords: DSP, audio signal processing, effects, music
Date: Wed, 28 Aug 91 15:00:28 GMT

I just received _Digital Audio Signal Processing_ yesterday.  I have
been consuming it voraciously.  I thank Bill Alves and Juhana Kouhia
for the pointers.

I also have ordered _Elements of Computer Music_ from Prentice Hall
and am anxiously awaiting its arrival as well.  Here is some ordering
information for those who might be interested.

	Prentice Hall
	RTE. 9W
	Englewood Cliffs, NJ  07632
	Individual ordering - 201-767-5937

	_Elements of Computer Music_, $38.00 + $4.00 shipping UPS surface
	approx 2.5 weeks delivery
	ISBN: 0-13252-552-6

I called the publisher (W. Kaufmann) about _Digital Audio Signal
Processing_ and they referred me to A-R Editions, who shipped the book
the next day!  I had it in my grasp in well under a week, via UPS surface.
The shipping charge was $2.50 if I recall correctly.

	A-R Editions
	801 Deming Way
	Madison, Wisconsin 53717
	608-836-9000 (They accept VISA orders)

This title and others in "The Computer Music and Digital Audio Series" 
are as follows:

John Strawn, ed., _Digital Audio Signal Processing_, 283 pages,
$34.95, ISBN 0-86576-082-9

Curtis Road, ed., _Composers and the Computer_, 201 pages,
$27.95, ISBN 0-86576-085-3

John Strawn, ed., _Digital Audio Engineering_, 144 pages,
$29.95, ISBN 0-86576-087-X

Deta S. Davis, _Computer Applications in Music: A Bibliography_, 537 pages,
$49.95, ISBN 0-89579-225-7

Ken C. Pohlmann, _The Compact Disc:  A Handbook of Theory and Use_,
288 pages, $45.95 (cloth) ISBN 0-89579-234-6, $29.95 (paper)
ISBN 0-89579-228-1

Forthcoming books:

Curtis Roads, _A Computer Music History:  Musical Automation 
from Antiquity to the Computer Age_

Joseph Rothstein, _MIDI:  A Comprehensive Introduction_

David Cope, _Computer Analysis of Musical Style_

Dexter Morrill and Rick Taube, _A Little Book of Computer Music
Instruments_


I would enjoy hearing any comments or discussions on these titles.

Quinn Jensen
jensenq@qcj.icon.com


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From: jensenq@qcj.icon.com (Quinn Jensen)
Subject: Re: The Computer Music and Digital Audio Series

Contents of _Digital Audio Signal Processing, An Anthology_:

	1. Introduction to the mathematics of DSP (F. Richard Moore)
	   (Not a bad little text)

	2. Introduction to digital filter theory (Julius O. Smith)
	   (Not a bad little text, either)

	3. Spiral Synthesis (Tracy Lind Petersen)
	   (first published account of a new synthesis technique)

	4. Signal processing aspects of computer music (J. A. Moorer)
	   (James Moorer's classic article--discusses many synthesis
	   techniques.  Reverb algorithms.  More than 6 pages of refs)

	5. An introduction to the phase vocoder (J. W. Gordon, J. Strawn)
	   (Includes source code for a phase vocoder--a powerful method
	   for synthesis, pitch shifting, time scale modification, etc)
	   

And from the dust jacket-

The articles in this book were written for both the beginner and the advanced
practitioner of digital signal processing, especially as it relates to digital
audio.  Digital signal processing gives insight into matters such as 
digitization and sampling, inherent in the creation of digital audio.
Musically useful tools fot the manipulation of sound, such as filtering,
reverberation, spectral analysis, and cross-synthesis, are anchored in
digital signal processing as well.

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