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**** From the ICMC 1993 Paper Committee ****

Following is the list of accepted papers/demonstrations for
the 1993 International Computer Music Conference (ICMC), Tokyo.
The list does not distinguish presentation categories (oral, poster,
demo); and is in alphabetical order of the first author.

Of the 246 submissions, 118 were accepted (this number may slightly
change, as some papers are asked to be merged/re-organized).

These works, together with music compositions (50 + 4 installation works)
will be presented at: ICMC 1993, Waseda University, Tokyo, Japan,
on Sept. 10-15, 1993.

Further announcements including the conference program will be posted
as soon as they become available.
For general inquiries on the conference, contact:
	ICMC 1993 Secretariat
	c/o The Campus Corporation
	Babashita-cho 9, Shinjuku-ku
	Tokyo 162, JAPAN
	Tel: +81-3-3202-7521
	Fax: +81-3-3202-7523
	Email: icmc93@waseda.ac.jp

We look forward to seeing you at the conference.

-Yuzuru Hiraga
 ICMC 1993 Paper Committee member

===========================================================================

Akita, Hiroshi; Ohta, Hirohisa; Ohtani, Motomu; Ishicado, Satosi;
Yamane, Masami
	Development of Automatic Bagpipe Playing Device
Amir, Noam; Rosenhouse, Giora; Shimony, Uri
	A Discrete Model for Losses in Wind Instruments -- Theory and Experiment
Apel, Theodore
	Spectral Transformation and Cross Synthesis of Sinusoidal Analysis Peaks
Arnold, Stephen
	Composition, Musical Research and Pedagogy Using NeXT Computers
	at the University of Glasgow
Assayag, G\'erard
	The Music Representation Project at IRCAM
Austin, Larry
	Modeling a Hypermedia Composition/Performance System
Bachrach, Jonathan
	A High-Performance Dylan Implementation
Bargar, Robin
	Virtual Sound Composition for the CAVE
Barri\`ere, J.B.; Chabot, X.
	Integration of Aid to Composition and Performance Environments:
	Experiences of Interactions between Patchwork and Max-ISPW
Barri\`ere, Jean-Baptiste; Chabot, Xavier; Saariaho, Kaija
	Realizing NoaNoa and Pre\`s with the ISPW
Battier, Marc
	Computer Music Enters the Museum: Recent Developments in Paris
Bauman, Marcia L.; Gerwin, Thomas
	The International Digital ElectroAcoustic Music Archive
Berkley, Steve
	A Neural Network Model for Sound Localization in Binaural Fusion
Bestor, Charles
	The Use of MAX as an Overall Control Mechanism for Multi-Discipline
	Installation Art
Bidlack, Rick; Blaszczak, Dorota; Kendall, Gary
	An Implementation of a 3D Binaural Audio System within
	an Integrated Virtual Reality Environment
Bidlack, Rick; Elliott, Kevin; Otto, Peter
	MixNet(TM) -- A Comprehensive Real-time Automated Production System:
	Progress Report
Bilmes, Jeff
	Techniques to Foster Drum Machine Expressivity
Bolzinger, Simon
	Interactive Improvisation on MIDI/Acoustic Piano
Bridger, Michael
	Narrativisation in Electroacoustic and Computer Music --
	Reflections on Empirical Research into Listener's Response
Calz\'on, Miguel
	AREM/ARMS -- Reinterpretation of Musical Structures
Casey, Michael A.
	Distal Supervised Learning of Musical Motor Actions
Castine, Peter
	What Ever Happened to CMAP for Macintosh?  A Status Report
Chafe, Chris
	Tactile Audio Feedback
Chen, Steve Shihong; Dennis, J. Richard
	Linking Different Cultures with Computers
Cook, Perry R.; Kamarotos, Dimetris; Filippis, Giorgos; Diamantopoulos, Akis
	Greek Text and Music Control Systems for the SPASM/Singer Instrument
Cook, Perry R.; Morrill, Dexter; Smith, Julius O.
	A MIDI Control and Performance System for Brass Instruments
Dannenberg, Roger B.
	The Implementation of the Advanced Sound Synthesis Language Nyquist
Degazio, Bruno
	Preliminary Experiments with Nonlinear and Chaotic Oscillators
Depalle, Ph.; Garcia, G.; Rodet, X.
	Analysis of Sound for Additive Synthesis: Tracking of Partials
	Using Hidden Markov Models
Depalle, Ph.; Rodet, X.; Eckel, G.; Galas, Th.
	Generalized Diphone Control
Derrien-P\'eden, D.
	Recognition and Transcription of XVI^th Century Guitar Tablatures
Desain, Peter; Brus, Tom
	What Ever Happened to Our Beautiful Schematics
Desain, Peter; Honing, Henkjan
	On Continuous Musical Control in Discrete Note-based Composition Systems
Elliott, Kevin
	A Behavioral or Actor-Based Paradigm of Sound Production and
	Studio Composition
Elliott, Kevin
	The Sound Studios of the Banff Centre for the Arts
Feiten, Bernhard; Hein, Folkmar
	The Elektronische Studio of the Technical University of Berlin
Feulner, Johannes
	Neural Networks that Learn and Reproduce Various Styles of Harmonization
Fleck, Robert J.; Smith, Julius O. III
	Digital Waveguide Networks and Reverberation Theory
Freed, A.; Rodet, X.; Depalle, Ph.
	Synthesis and Control of Hundreds of Sinusoidal Partials on
	a Desktop Computer without Custom Hardware
Garton, Brad; Horowitz, Damon
	The "Blues-o-Matic" Real-time Interactive performance Model
Guillemain, Ph.; Kronland-Martinet, R.
	Towards Non-linear Resynthesis of Instrumental Sounds
H\"ornel, Dominik; Zorn, Werner
	SYSTHEMA -- Analysis and Automatic Synthesis of Classical Themes
Handelman, Eliot
	Listening Systems as a Basis for Interactive Audio Environments:
	Concepts, Performance and Evaluation
Harrison, Jonty; Dow, Robert
	The Electroacoustic Music Studio at the University of Birmingham (UK)
Hayashi, Eiji; Ishikawa, Tatsuya; Yamamoto, Kazuhiro; Yamane, Masami;
Mori, Hajime
	Development of a Piano Player
Hebel, Kurt J.; Scaletti, Carla
	The Software Architecture of the Kyma System
Helmuth, Mara
	Granular Synthesis with Cmix and MAX
Herman, Martin
	Deterministic Chaos, Iterative Models, Dynamical Systems and
	Their Application in Algorithmic Composition
Hiraga, Yuzuru
	A Computational Model of Music Cognition Based on
	Interacting Primitive Agents
Horiuchi, Yasuo; Tanaka, Hozumi
	A Computer Accompaniment System Considering the Independence of
	the Accompanist
Horner, Andrew; Beauchamp, James; Packard, Norman
	Timbre Breeding
Howe, Hubert S. Jr.
	19-tone Theory and Applications
Hyun, Kwang Rip; Banerjea, Raja; Kim, Munchurl; Latchman, Haniph;
Sudharsanan, Subramania I.
	A Real-Time Implementation of the MPEG Audio Layer I Decoding
	on a Fixed-Point DSP Platform
Igarashi, Shigeru; Tsuji, Takashi; Mizutani, Tetsuya; Haraguchi, Tsuyoshi
	Experiments on Computerized Piano Accompaniment
Inoue, Wataru; Hashimoto, Shuji; Ohteru, Sadamu
	A Computer Music System for Human Singing
Jaffe, David A.; Smith, Julius O.
	Real Time Sound Synthesis and Processing on Multiple DSPs
	Using the Music Kit and the Ariel QuintProcessor
Kageyama, Tetsuya; Mochizuki, Kazuhiro; Takashima, Yosuke
	Melody Retrieval with Humming
Kanamori, T.; Katayose, H.; Simura, S.; Inokuchi, S.
	Gesture Sensors in Virtual Performer
Karjalainen, Matti; V\"alim\"aki, Vesa
	Towards High-Quality Sound Synthesis of the Guitar
	and String Instruments
Kashino, Kunio; Tanaka, Hidehiko
	A Sound Source Separation System with the Ability of
	Automatic Tone Modeling
Katayose, H.; Kanamori, T.; Kamei, K.; Wang, Z.; Nagashima, Y.;
Sato, S.; Inokuchi, S.
	Virtual Performer
Kendall, Gary S.
	PinnaWorks: A NeXT Application for Three-Dimensional Sound Processing
	in Real-Time
Kervinen, Jukka-Pekka; Lassfolk, Kai
	Helsinki Music Tools
Laine, Pauli
	Sibelius-Academy Computer Music Studio
Lee, Michael; Wessel, David
	Neuro-Fuzzy Systems for Adaptive Control of Musical Processes
Lippe, Cort; Puckette, Miller; Settel, Zack
	IRCAM Signal Processing Workstation User Group
Lippe, Cort
	A Musical Application of Real-time Granular Sampling Using
	the IRCAM Signal Processing Workstation
Lund\'en, Peter
	Knowledge Representation of Sounds and Sonic-Structures Based on
	Constraints and Multiple Inheritance
Matsushima, Toshiaki
	Computerized Japanese Traditional Music Processing System --
	Progress Report
Monro, Gordon
	Synthesis from Attractors
Mont-Reynaud, Bernard
	SeeMusic: A Tool for Music Visualization
Nagashima, Yoichi
	PEGASUS-2: Real-Time Composing Environment with
	Chaotic Interaction Model
Nakanishi, Tomoyuki; Amemiya, Ryoji; Kubota, Hiroshi; Yamane, Masami
	Development of Automatic Drum Playing Device
Noike, Kenzi; Takiguchi, Nobuo; Nose, Takashi; Kotani, Yoshiyuki
	Automatic Generation of Expressive Performance by Using Music Structures
Oohashi, Tsutomu; Nishina, Emi; Kawai, Norie; Fuwamoto, Yoshitaka
	On the Mechanism of "Hypersonic Effect"
Oppenheim, Daniel V.; Anderson, Tim M.; Kirk, Ross
	Perceptually Meaningful Parameters: An Object-Oriented Technique
	for their Specification and Interpretation
Oppenheim, Daniel V.; Wax, Trace D.
	LeNNY: A Composer's System for Adding Expression into Music
Oppenheim, Daniel V.
	Slappability: A New Metaphor for Human Computer Interaction
Pennycook, Bruce; Stammen, Dale; Reynolds, Debbie
	Toward a Computer Model of a Jazz Improvisor
Pope, Stephen Travis; Fahlin, Lennart E.
	The Use of 3-D Audio in a Synthetic Environment
Pressing, Jeff; Lawrence, Peter
	'Transcribe': A Comprehensive Autotranscription Program
	for the Macintosh
Pressing, Jeff; Scallan, Chris; Dicker, Neil
	Visualization and Predictive Modelling of Musical Signals
	Using Chaos Embedding Techniques
Puckette, Miller; Settel, Zack
	Nonobvious Roles for Electronics in Performance Enhancement
Rai, Takayuki; Matsunuma, K.; Takasaki, K.; Mokushou, S.
	Introduction of Computer Music Studio of Sonology Department,
	Kunitachi College of Music
Roads, Curtis
	Musical Sound Transformation by Convolution
Roads, Curtis
	Organization of 'Clang-tint'
Rodet, X.
	Flexible Yet Controllable Physical Models: A Nonlinear Dynamics Approach
Scallan, Chris; Stainsby, Thomas
	A New Software Package for Spectral Investigation and
	Analysis/Synthesis Using FFT and Sinusoidal Modelling Techniques
Schloss, W. Andrew
	Studio Report:
	The University of Victoria's Laboratory for Extended Media
Seltzer, Linda A.
	A Confluence of Computer Music and Ancient Chinese Aesthetics
Settel, Zack; Bristow, David
	The Musically Interesting Control of Uninteresting Sound Generation
	Parameters by Means of Global Control and Parameter Grouping
Settel, Zack; Holton, Terry; Zicarelli, David
	'Remote Applications' Using 'Smart Controllers'
	in Versatile Hardware Configurations
Siegel, Wayne
	DIEM (studio report)
Skrien, Dale; Hallstrom, Jonathan
	Krayola: A Flexible, Robust, and User-friendly Precompositional
	Sketching Environment
Smith, Julius O. III
	Efficient Physical Modeling Synthesis of Stringed Musical Instruments
Soulodre, Gilbert A.; Stammen, Dale
	A Binaural Recording and Playback System for the Reproduction
	of Virtual Concert Halls
Stammen, Dale; Pennycook, Bruce
	Real-time Recognition of Melodic Fragments Using
	the Dynamic Timewarp Algorithm
Steffensen, Kim; Folmer, Mads; Slipsager, Bjarne; Brandorff, Steffen
	DIEM Multi DSP Board for Live Performance
Szigetv\'ari, Andrea
	MicroTuner: An Interactive Tuning System for the MAX Environment
Szilas, Nicolas; Cadoz, Claude
	Physical Models that Learn
Takala, Tapio; Hahn, James; Gritz, Larry; Geigel, Joe; Lee, Jong Won
	Using Physically-Based Models and Genetic Algorithms for Functional
	Composition of Sound Signals, Synchronized to Animated Motion
Tanaka, Atau
	Musical Technical Issues in Using Interactive Instrument Technology
	with Application to the Biomuse
Tanguiane, Andranick
	An Artificial Perception Model and Its Application to Music
Taylor, Ian
	An Object Oriented ARTMAP System for Classifying Pitch
Thurmond, Dennis
	Developing Jazz Improvisional Skills with the Use of
	Music Sequencing Software
Tincher, Russel; Strange, Allen
	The 1992 ICMC CD ROM
Todd, Neil P. McAngus
	Wavelet Analysis/Synthesis of Rhythm in Expressive Musical Performance
Tonella, Paolo; De Poli, Giovanni
	Self-organizing Neural Network for the Reconstruction of
	Grey's Timbre Space
Truax, Barry
	Composing with Time-shifted and Transposed Sampled Sound
	Using a Real-time Granulation Technique
V\"alim\"aki, Vesa; Karjalainen, Matti; Laakso, Timo I.
	Modeling of Woodwind Bores with Finger Holes
Van Duyne, Scott A.; Smith, Julius O. III
	The Two-Dimensional Waveguide Mesh
Vuori, Jarkko; V\"alim\"aki, Vesa
	Parameter Estimation of Non-linear Physical Models by
	Genetic Algorithms -- Application to the Flute Model
Weinstock, Frank
	Demonstration of Concerto Accompanist,
	a Program for the Macintosh Computer
Widmer, Gerhard
	Understanding and Learning Musical Expression
Winkler, Todd
	MakingMotionMusical: Gesture Mapping Strategies for
	Interactive Computer Music
Wood, Patte; Chafe, Chris; Cook, Perry
	Studio Report:
	Center for Computer Research in Music and Acoustics (CCRMA)
Wu, Jian
	Computer Aided Composition in Chinese Studio
Zicarelli, David; Lee, Michael
	The MAX Timeline Object