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Article #1125Re: RIP, Michael Crichton, "Andromeda Strain" author
From: Mark C
Date: Thu, 06 Nov 2008 00:37
Date: Thu, 06 Nov 2008 00:37
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5478 bytes
"Pops Mear" <PopsMear@here.usa> wrote in message news:b694h4l1b3ther9d8jj3aaaau39l9gepvl@4ax.com... > http://latimesblogs.latimes.com/jacketcopy/2008/11/michael-crichto.html > > Jacket Copy - latimes.com > > > Michael Crichton, dead at 66 > > > > Author Michael Crichton has died at age 66 after "a private battle > with cancer." Crichton's career was probably one of a kind: After > training as a doctor at Harvard and working as a fellow at the Jonas > Salk Institute, he became a bestselling author, then a successful > screenwriter, award-winning movie director and TV producer. The move > "Jurassic Park," based on his book and on which he shared > screenwriting credit, is the No. 10 top grossing film of all time. > > Crichton first reached the bestseller lists in 1969 with his book "The > Andromeda Strain." "This book recounts the five-day history of a major > American scientific crisis," the acknowledgments page begins. It seems > to chronicle an actual event, including "real" scientific documents > and transcribed communications of a crisis of Earth's contamination by > an extraterrestrial microorganism. > > A man with binoculars. That is how it began: with a man standing > by the side of the road, on a crest overlooking a small Arizona town, > on a winter night. > > Lieutenant Roger Shawn must have found the binoculars difficult. > The metal would be cold, and he would be clumsy in his fur parka and > heavy gloves. His breath, hissing out into the moonlit air, would have > fogged the lenses. He would be forced to pause to wipe them > frequently, using a stubby gloved finger. > > He could not have known the futility of this action. Binoculars > were worthless to see into that town and uncover its secrets. He would > have been astonished to learn that the men who finally succeed used > instruments a million times more powerful than binoculars. > > There is something sad, foolish, and human in the image of Shawn > leaning against a boulder, propping his arms on it, and holding the > binoculars to his eyes. Though cumbersome, the binoculars would at > least feel comfortable and familiar in his hands. It would be one of > the last familiar sensations before his death. > > In my 1970 Dell paperback, that's the end of Page 1. Pow! He sets the > reader up, gets you right into Shawn's place in that cold night, > holding binoculars and leaning on that boulder, then he kills him. All > at once you want to know more: What killed him? What happened? Who's > telling this story, and how does he know all this? And as he gets > these questions going, he implies to the reader that they're like > Shawn in another way: This book is going to feel unfamiliar. But the > storytelling voice has enough confidence (the storyteller survived, > and knows all) that you're reassured that you're in good hands. > > Crichton liked to put his characters in a scientifically manipulated > peril. He did it again in the film "Westworld," in which lifelike > human robots in an amusement park run amok. In "Jurassic Park" too; > there, re-vivified dinosaurs in an amusement park run amok. Then there > was "Congo," in which scientists on an expedition are attacked by > strange gorillas; "Prey," in which nanotechnology goes wrong; and > "Next," in which genetic engineering goes wrong. > > In 2004, Crichton stirred controversy by questioning global warming in > his book "State of Fear" and making statements such as "I'm saying > that environmental organizations are fomenting false fears in order to > promote agendas and make money." > > But controversy didn't affect his popularity; as of this writing, his > official website has been swamped; there's a memorial page there, if > you can get the site to load. x2... Mark in MD
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