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Manuscript Format

Once your book appears in print, your publisher will return your manuscript
as "dead matter." At that point it's of interest only to future Ph.D.
candidates. But when it first arrives in the publisher's office, it ought to
look as inviting, clean and professional as you can make it. You want to make
sure it's as readable (and correctable) as possible; don't give the editor an
excuse to reject you because you make her eyes hurt, and she can't even find
room to insert proper spelling.

Ideally, you'll submit your manuscript in laser-printed form. If you can't
afford that, then use an inkjet printer (used with good bond paper, it's
almost as good as laser), a good dot-matrix printer, or an electric
typewriter. If your dot-matrix printer has a pale ribbon and you can't
replace it, make a darker photocopy of the original printout.

Consider your choice of font. A sans serif font is legible but not
readable--that is, you can recognize a word or phrase quickly, but reading
page after page would be exhausting. A boldface font is even worse. A serif
font is more readable, so by all means choose one for the body of your
manuscript text. Point size is also important. For the Mac, 12-point Times
isn't bad, and it lets you put a lot of text on one page. But 14-point Times
is more readable.

(This issue, by the way, recently kicked up a big fuss in this newsgroup;
some people argued that only a monospace font was acceptable. I finally
phoned Del Rey Books to see if they preferred a monospace font like Courier,
or a more flexible font. The editor I talked to obviously thought I was
bonkers; they don't much care as long as they can read the manuscript.)

Paper should be standard 8.5x11, 20 lb. white bond. If you use fanfold paper
in a dot-matrix printer, make sure it's reasonably heavy. (You will *of
course* separate each page and remove the strips on the sides.) Give yourself
a margin of at least an inch top and bottom, and an inch or an inch and a
half on the sides. Double-space your text. Do not put an extra double-space
between paragraphs, unless you want a similar gap on the printed page to
indicate a change of scene or passage of time. Indent each paragraph about
half an inch. If you are using a font with letters that take up variable
amounts of space, a single space after a period is enough. If you are using a
typewriter or a monospace font, two spaces are better. Either way, a single
space should follow every comma, semicolon, and colon. If you can, use an "em
dash" with no spaces between the dash and the surrounding words. Two
hyphens--are an acceptable substitute. Underline text only if you cannot
italicize it.

Do not use a right-justified margin! It may look tidy, but it creates gaps
between words that make reading hard. Avoid hyphenations. Also avoid "widows
and orphans"--that is, a paragraph that begins on the last line of a page, or
a paragraph that ends on the first line the following page. Most word
processors can kick such paragraphs onto the next page. This may create huge
lower margins, but it's better than breaking a paragraph.

Be sure that each page displays a plain Arabic numeral in the upper
right-hand corner. Otherwise, don't bother with a header. They're not going
to scatter your ms. or lose the title page. And when you send it in, don't
bind it in a cute cover. Send it loose, in a typing-paper box. Make sure you
have at least two copies on disk (in separate locations) or a photocopy. In
1979 I sent half a manuscript (240 pages, a year's work) to my editor in New
York; he sent it back a couple of months later, but I'm still waiting for it.
Fortunately I had a carbon copy.

The publisher may want you to send along a disk with the manuscript on it, as
well as the hard copy. When I did that recently, I found that the editor just
poured my files into a new font and layout and sent me the page proofs for
correction. That meant all the mistakes I found were my own; I couldn't blame
some clumsy typesetter. This is the downside of the computer revolution,
folks.