Thread View: net.rec.photo
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Started by David K. Purks
Mon, 30 Dec 1985 21:08
Macro photography with flash
Author: David K. Purks
Date: Mon, 30 Dec 1985 21:08
Date: Mon, 30 Dec 1985 21:08
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I've been trying to do macro work using Canon equipment (A1) with a standard thyristor flash and have been achieving expected results - very under or over exposed pictures. A salesman at a local photo shop suggested I buy a ML-1 macro flash (which, of course, they don't sell). If anyone has experience using one I'd like to hear from you. My other alternative is to abandon my Canon and buy a Nikon and take advantage of Nikon's TTL metering. If anyone has any suggestions or other information, your help would be appreciated. David Purks ...!seismo!hadron!dkp
Re: Macro photography with flash
Author: henning
Date: Sun, 05 Jan 1986 18:22
Date: Sun, 05 Jan 1986 18:22
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> I've been trying to do macro work using Canon equipment (A1) with a standard > thyristor flash and have been achieving expected results - very under or > over exposed pictures. **** **** From the keys of Steve Henning, AT&T Bell Labs, Reading, PA mhuxl!smh I have been doing macro flash photography for years with standard Minolta 35mm cameras and standard flashes (Vivitar, Rollei, Braun, etc.). 1) You must make sure that the flash covers the field of view. With a normal flash in a hot shoe and a 50mm macro lens, for close-ups the flash goes over the top of your subject or just hits part of the subject. You can tilt the light down with a swivel on the shoe or a hand held unit. What I do is use a 100mm macro lens. This places the working distance at a point which the flash can hit normally without a swivel mount or tilt down head. 2) You must reduce the power output of the flash so that the response time of the unit is within the electronic capabilities of the flash. Here there are 2 techniques I have tried: First, I placed a piece of polarizing filter over the electric eye on my automatic flash and then by trial and error found out what my new auto f/stop was. This has the added advantage of increasing your f/stop and giving you a greater depth of field to work with. Second, you can place a filter over the flash. It must be a true neutral density filter. Again, a piece of polarizing filter works well. I have used a white handkerchief to accomplish the same thing though. Now your metering works normally and you have your normmal auto f/stops. You must be carefull not to cover the electric eye with this filter. 3) You must allow for the normal increase in exposure required when you do closeup photography if you do NOT use a TTL flash system. This is marked on most macro lenses so is an easy thing to do but requires a conscious effort to remember for each shot. 4) The best flash macro photography system is one which uses a leaf shutter rather than a focal plane shutter. This permits you to use every shutter speed on the camera rather than one that is slower than a certain sync speed. However, if you already have your camera this is a bit extreme to change.
Re: Macro photography with flash
Author: Jorge Olenewa
Date: Mon, 10 Feb 1986 23:50
Date: Mon, 10 Feb 1986 23:50
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In article <154@hadron.UUCP> dkp@hadron.UUCP (David K. Purks) writes: > >I've been trying to do macro work using Canon equipment (A1) with a standard >thyristor flash and have been achieving expected results - very under or >over exposed pictures. A salesman at a local photo shop suggested I buy >a ML-1 macro flash (which, of course, they don't sell). If anyone has >experience using one I'd like to hear from you. My other alternative is to >abandon my Canon and buy a Nikon and take advantage of Nikon's TTL metering. >If anyone has any suggestions or other information, your help would be >appreciated. > > David Purks > ...!seismo!hadron!dkp One alternative is to use a flash such as the Vivitar 3500, 3700, 4600 5600 or 5700. These flashes can be used in cameras that accept dedicated flashes or not but they all accept the Vivitar MFS-1(?) macro flash sensor that connects the flash sensor to a fiber optic cable which in turn clips to the front of your lens or hood. This allows you to get closer than two feet to the subject and get the exposure right all the time. Jorge Olenewa Genamation Inc. Markham, Ont. Canada
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