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Article #31Re: >dead.artist<
From: YORATH, ERIC G.
Date: Fri, 04 Mar 1994 23:22
Date: Fri, 04 Mar 1994 23:22
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4861 bytes
In article <bbraceCLt6Dv.4Ep@netcom.com>, bbrace@netcom.com (Brad Brace) writes... >theword intelligence has gradually cometostand forthe manipulation ofsecrets >=^-=-=-^-=-=^-=-=-=-^-=-==-=-=-^-=-=-=--=-=-=-=^^-==-=-^-=-=-=-=-^-^-=-=-=-=-^ > > DEAD-ARTIST DESERT TRAILER-PARK > offers scholarships and studio-space > for qualifying applicants > contact: bbrace@netcom.com for info > > >Systems are constructed from an assumption of correctness...they are built >backwards from this assumption--> modern structure responds to errors by >a refusal to admit error. It responds to failure by a denial of failure. >The system could prove that it does work by simply responding to problems >with an open mind, rapidly and positively, eager to find solutions. >Instead it automatically goes into a defensive pose, throws out >diversions intended to slow criticism, then spends time and money to >prove factually that there is no problem. As a final ploy it will attempt >to gain time for new ploys by agreeing to negotiate. If even this fails, >the system will drop its own position, grasp that of the other side and >treat the new position as if it were an absolute truth always >known...There is no room for error, except through some properly laid-out >procedure.... > > > | The Dead-Artist Desert Trailer-Park is located in the American > | Southwest Desert. I basically inherited (after paying back-taxes) > | an isolated, derelict trailer-park which is being > | transformed without the interference of cultural bureaucrats > | into a working resource for creative pursuits. The financial > | overhead is practically non-existent; intelligent applicants are > | told the location of the Trailer-Park and given written permission > | to abide there. Usually some structural and creative contribution > | is made to the Park during your stay. No application fees, slides, > | or resumes are required or desired. A questionnaire is sent to all > | applicants. Expect to receive this late summer of 1994; an > | electronic response is preferred. > >=-=-=v-=-==-=-=vvvv-=-=-=-v=-=v=-===-=-=vv-=-=-=v-=-=-vv=-v-==-=-=-=v=-v-=-v-v >only the artists capable of dragging the mystic power out of themselves >seem able to work productively within the breakdown of our society... > > I am a little confused. You first address a characteristic you seem to find common to all 'systems' and then you go on to refer to "The system". If I am correct in interpreting this system to be that of the collective university (Western), as many of your articles seem to address, then I would have to disagree. The university operates as the perfect incubator for Postmodern interests. These being mostly concerned with self- critique. The new phenomenon of 'theory' understands itself to be completely dependant on self reflective critical campaign which has no sincere interests in solutions. Postmodern activity is completely involved with the 'problems' facing it today it simply understands that if the problems wr were to be solved it's constitution would become obsolete. This is not a condition domestic simply to art, but also politics,science, etc.. The problem is that the world has come to relise, and is becoming quite comfortable with the fact that it needs problems.
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X-Google-Language: ENGLISH,ASCII-7-bit X-Google-Thread: f8267,dbb62869952c1a2 X-Google-Attributes: gidf8267,public X-Google-Thread: fda35,dbb62869952c1a2 X-Google-Attributes: gidfda35,public X-Google-Thread: 102f4c,dbb62869952c1a2 X-Google-Attributes: gid102f4c,public X-Google-Thread: 10f3ad,dbb62869952c1a2 X-Google-Attributes: gid10f3ad,public X-Google-Thread: 1117c8,dbb62869952c1a2 X-Google-Attributes: gid1117c8,public X-Google-Thread: 1138b4,dbb62869952c1a2 X-Google-Attributes: gid1138b4,public X-Google-Thread: 109c49,dbb62869952c1a2 X-Google-Attributes: gid109c49,public X-Google-Thread: 11107d,dbb62869952c1a2 X-Google-Attributes: gid11107d,public X-Google-ArrivalTime: 1994-03-04 15:22:00 PST Newsgroups: nz.arts,ucb.arts,fj.rec.fine-arts,alt.arts.nomad,alt.art.com,rec.arts.fine,rec.arts.misc,sci.philosophy.meta,de.soc.kultur,can.general,tor.general Path: arc1-ca.pugleaf.net!gmd.de!ceres.fokus.gmd.de!zib-berlin.de!math.fu-berlin.de!MathWorks.Com!europa.eng.gtefsd.com!howland.reston.ans.net!cs.utexas.edu!utnut!utcsri!newsflash.concordia.ca!pavo.concordia.ca!eg_yora From: eg_yora@pavo.concordia.ca (YORATH, ERIC G.) Subject: Re: >dead.artist< Message-ID: <4MAR199418224447@pavo.concordia.ca> News-Software: VAX/VMS VNEWS 1.41 Sender: usenet@newsflash.concordia.ca (USENET News System) Nntp-Posting-Host: pavo3.concordia.ca Organization: Concordia University References: <bbraceCLt6Dv.4Ep@netcom.com> Date: Fri, 4 Mar 1994 23:22:00 GMT Lines: 60