🚀 go-pugleaf

In article <C5C9AC27.BEB44%nowhere@nowhere.com>,
 Soundhaspriority <nowhere@nowhere.com> wrote:

> <jennconductsREMOVETHIS@mac.com> wrote in message
> jennconductsREMOVETHIS-98A012.19170023022009@news.la.sbcglobal.net
> 
> >> On Mon, 23 Feb 2009 17:46:05 -0800, "Richard Crowley"
> >>> 
> >>> So automatic ducking the ambient sounds when the primary channel
> >>> is active has been around for decades. Dunno why it would seem
> >>> unusual for them to use such a technique at the big award show?
> >>> If they used only the primary sources (stage mics, etc., i.e. the "house
> >>> mix") we would be complaining about the *lack* of ambient reference.
> >>> 
> >> <snip>
> >> 
> >> It sounded to me as if the stage and audience mics were of different
> >> polarity.  I heard a lot of comb filtering in the audio.  Whatever it
> >> was - it sucked.
> > 
> > It really didn't sound very good, did it Rick?
> > 
> > Great orchestra, though.  In the pit, I believe that I spied Andy Martin
> > and Bob Sanders on trombone, Rick Todd on horn, Mike Nowak on viola,
> > Laurence Juber on guitar, etc. All "first call" guys. I'll ring up LJ to
> > verify, but I'm pretty sure that it was he.
> 
> It must be a real ego boost for a "teaching 'cause I can't do" musician like
> you to name drop the members of the pickup orchestra used at the Oscars.

lol  Idiot coward.

> 
> Someday you'll all be telling your friends about "knowing me".  Perhaps when
> I'm at the top of a tower with a bazooka.

Or perhaps when you do the world a favor and jump from that tower, you 
fraud.  Sign your own name for a change.