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Article #1115Re: Audio quality of CDR, any theory ????
From: Arny Kr�ger
Date: Thu, 17 Dec 1998 00:00
Date: Thu, 17 Dec 1998 00:00
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Lee HC wrote in message <01be2972$8c375680$LocalHost@default>... > >Interesting! Yes. >Eventually arrived at the term "Perception". IMO, very relevant. >Should the original post writer of this thread, Kit-pui Wong<kpwong@psy.cuhk.edu.hk> , come out & enlightened as on the psychological viewpoint? It might just change his life! >I use this term too, for quite a number of circumstances in the HKRAV. >So, I copy a bit of information from Longman Concise Medical Dictionary for the definition of "Perception": >" a process by which information received by senses is recognized, interpreted and analyzed to become meaningful." Works for me! Let me recommend the following textbook: Rock, Irwin, An Introduction to Perception, Macmillan Publishing Company, New York NY (1975). >So, for the same bits of information will result in different meaning to different person with difference in: >1. sensory organs structural & functional difference. True. However, these organs have physical limitations. For example, the smallest sound that the ear can hear is about the same order as the random noise created by thermal motion of air molecules. In short, we never evolved ears that can hear below the lowest possible noise floor on earth. Makes sense, does it not! ;-) >2. culture & personal preference. Everything we perceive goes through "filters" based on culture and past experience. >3. psycho-social background. Everything we perceive goes through "filters" based on culture and past experience, and current state of mind. >4. the status of the sensorium of the audience. That is where the LSD (add hallucination), cigarette, alcohol ...... can affect the auditory perception. Alcohol taken in quantities is an anesthetic. It dulls the senses. This is one reason why many loudspeaker failures trace to alcohol use by the people setting the volume levels. >May I invite Mr. Wong's expert opinion on this. For a high end mystic to persist in their lines of thinking, they usually end up denying how perception affects their sonic judgements. For your next trip to that dictionary, check out the word "Placebo". ;-) >Furthermore, the auditory "information" form the same CD is also highly variable for different audiophile >settings. So, even the same CD will sound very different in different audiophile settings (gears, audition >environment). Yes. The usual means of dealing with this is called "The controlled listening test". You hold as many things as possible constant, and see if differences are still reliably heard. >So, there is also a question of revealing power of an audiophile settings & the software tested when we >try to deliver maybe-different "information" from original CD & the digital CD-R copy. True. >This is my personal experience, a more revealing setting & more revealing software can more readily tell >the different "information" from the original CD & the digital CD-R copy. True. >So, I insist : "hearing is believing". If the test is adequately controlled and the results pass reliability tests, then hearing is believing, even for the skeptic. >Whether someone can hear the difference is not a simple matter for discussion. This involved the >"integrity of the information" in an audiophile settings & "personal perception". True. >If someone "perceive" no auditory difference of the "information", why border. Perceptions can be the subject of reliablity testing. Reliable perceptions exist, and in fact are the basis of scientific knowlege. >None claim himself as "golden ears" when he found audible difference of the original CD >& the digital CD-R copy, in the HKRAV. It may be unfortunate for someone who hear the difference as >he need to buy the original CD rather than made a CD-R copy. Reliable listening tests suggest that bit-perfect CD-R copies don't sound different from originals. CD-R copies of collections of songs are widely used in critical listening tests of audio equipment.
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X-Google-Language: ENGLISH,ASCII-7-bit X-Google-Thread: 109f11,48d41a4dac9741b4 X-Google-Attributes: gid109f11,public X-Google-Thread: f6728,48d41a4dac9741b4 X-Google-Attributes: gidf6728,public X-Google-Thread: 10ff83,48d41a4dac9741b4 X-Google-Attributes: gid10ff83,public X-Google-Thread: 10d85e,48d41a4dac9741b4 X-Google-Attributes: gid10d85e,public X-Google-Thread: fb1f8,48d41a4dac9741b4 X-Google-Attributes: gidfb1f8,public X-Google-Thread: 105a81,48d41a4dac9741b4 X-Google-Attributes: gid105a81,public From: "Arny Kr�ger" <arnyk@flash.net> Subject: Re: Audio quality of CDR, any theory ???? Date: 1998/12/17 Message-ID: <v45e2.1070$IO1.11@news.flash.net> X-Deja-AN: 423204934 References: <753ar1$p8u$1@justice.csc.cuhk.edu.hk><01be27ef$aff52c20$LocalHost@default> <3676A41B.BC468FF2@cabletron.com><HUREXNAPXrd2EwZi@heading.demon.co.uk> <3676EB3F.A42F476D@cabletron.com> <dMdvDlA5Awd2EwLp@heading.demon.co.uk> <01be2972$8c375680$LocalHost@default> X-MimeOLE: Produced By Microsoft MimeOLE V4.71.1712.3 X-Complaints-To: abuse@flash.net X-Trace: news.flash.net 913890715 208.194.218.253 (Thu, 17 Dec 1998 04:31:55 CDT) Organization: FlashNet Communications, http://www.flash.net NNTP-Posting-Date: Thu, 17 Dec 1998 04:31:55 CDT Newsgroups: rec.audio.tech,rec.audio.opinion,rec.audio.misc,hk.rec.audio-visual,uk.rec.audio,tw.bbs.rec.audiophile