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	============ FINAL CALL FOR PARTICIPATION ============
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                        INTERNATIONAL CONGRESS 
                 IN MUSIC AND ARTIFICIAL INTELLIGENCE


                       University of Edinburgh
                Department of AI and Faculty of Music

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                       = 15-17 SEPTEMBER 1995 =
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THE ICMAI'95

The International Congress in Music and AI will be held in Edinburgh, 
Scotland. The conference is organised by the Faculty of Music and the 
Department of AI at Edinburgh University.

Its main objective is to foster investigation of theories of music and
musical thought, and their relation to computation and AI systems. The 
link between these two approaches - which has not received great attention
until now - is the main topic to be addressed. The aim is to stimulate the
exchange of ideas on the possibilities of extending or formulating new
(computational) theories of musical knowledge and cognition that may be
used to represent and manipulate musical structures and processes. Such
theories may provide useful insights into compositional, analytic and
educational aspects of musical practice.

The congress starts on early evening of Friday 15 September with a welcome
reception and a concert of contemporary music. On Saturday and Sunday
all the talks, presentations and panel discussions will take place from
morning till late afternoon. A second concert of contemporary music is 
programmed for Saturday evening. Papers have been selected from submissions
by many authors world-wide. The full programme for the paper sessions is
announced below.

The conference organsisers are grateful for support from the IEEE CS Technical
Committee on Computer Generated Music, the Faculty of Music and Department of
Artificial Intelligence of the University of Edinburgh, Edinburgh District
Council, Lothian and Edinburgh Enterprise Ltd, and to the University of
Edinburgh's Research Committee for their contribution of stlg1000 from the
Interdisciplinary Symposium Fund.

MAIN AREAS OF INTEREST

- Musical Formalisms
- Cognitive Models of Music
- Intelligent Musical Tools

KEYNOTE SPEAKERS

- Clarence Barlow (Royal Conservatory, The Hague)
- Stephen McAdams (IRCAM, Paris)
- Robert Rowe (University of New York)

PROGRAMME COMMITTEE

Emilios Cambouropoulos, Antonio Camurri, Marc Leman, 
Alan Marsden, Peter Nelson, Alan Smaill, Geraint Wiggins

PROGRAMME

"Lingua Armata: Experiences with Speech as Compositional Material and in
	Algorithmic Real-Time Transformation"
	Clarence Barlow

"Listening Strategies in Electroacoustic Music"
	Stephen McAdams

"Artificial Intelligence and Musical Interaction"
	Robert Rowe


Alongside the three invited addresses, the following submitted papers will be
presented at the conference.

"Representing Musical Knowledge: Processing Melodic Lines in a Jazz
 	Improvisation System"
	Damon Horowitz,
	MIT Media Lab

"A self-organizing Map that Generates Melodies: Modelling and Testing
	Spontaneously Developing Implicit Grammars"
	Mauri Kaipainen, Petri Toiviainen, and Jukka Louhivuori
	Dept. of Musicology, University of Jyvaskyla, Finland

"Formalisation of Computer Music Interaction Through a Semiotic Approach"
	Fernando Iazzetta,
	Center of New Music and Audio Technologies, Berkeley

"Toward an Integrated Agent Architecture for Real-Time, Multimodal
	Interaction in Multimedia Systems"
	Antonio Camurri, Carlo Innocenti, Alberto Massari
	Dept. of Communication, Computer and System Sciences, Univ. of Genova 

"Implementing a Generative Grammar for Music"
	Carron Robbie,
	Dept. of AI, University of Edinburgh

"COLERIDGE: Composition Learning Environment for Reflection about
	Intentions and Dialogue Goals in Education"
	J.Cook, School of Technology & Information Studies, Thames Valley Univ.
	Nigel Morgan, Institute of Popular Music, Liverpool University

"Representing temporal Musical Objects and Reasoning in the MusES system"
	F. Pachet, G. Ramalho, J. Carrive, G. Cornic
	LAFORIA-IBP, Universite Paris 6

"A Model for Tonal Context Time Course Calculation From Acoustical Input"
	Ozgur Izmirli, Semih Bilgen
	Electrical and Electronics Engineering. Dept, 
	Middle East Technical University, Ankara, Turkey

"Implementation of a logic-based model of musical computation
	in Prolog, with applications in music analysis"
	Alan Marsden,
	School of Music, The Queen's University of Belfast

"A General Pitch Interval Representation"
	Emilios Cambouropoulos,
	Faculty of Music & Dept of AI, Univ. of Edinburgh


There will also be a session of posters and demonstrations including

"The Road Not Taken but Constructed: Waveforms with Multiple Cycle
	lenghts and Multiple Paths"
	Arun Chandra,
	School of Music, Univ. of Illinois

"The Analysis and Synthesis of the Singing Voice"
	Ken Lomax
	Oxford University

"Modelling cognition in creative musical improvisation"
	Paul Hodgson
	University of Sussex

FURTHER INFORMATION

Emilios Cambouropoulos
Faculty of Music/Univ. of Edinburgh/12 Nicolson Sq./EH8 9DF Edinburgh/U.K.
Email: emilios@music.ed.ac.uk


REGISTRATION FORM

Please print out and fill in the ICMAI'95 Registration Form. 


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Name:   _________________________________________________________________

Institution/Organisation:________________________________________________

Address:_________________________________________________________________

        ____________________________________ Postcode ___________________

Email:  ____________________________________ Tel:     ___________________




Registration Fee (60 pounds)                                  ___________

Student Registration Fee (20 pounds)                          ___________

B&B accommodation*,   Friday 15 September (19.95 pounds)      ___________

B&B accommodation*, Saturday 16 September (19.95 pounds)      ___________

B&B accommodation*,   Sunday 17 September (19.95 pounds)      ___________

					              total   ___________



Signature: _____________________________    Date: _______________________



Payment should be in pounds sterling and should accompany the registration 
form. Fees must be paid in full before the congress is due to commence. 
Full refund for the fees will be given for cancellations received before 
1 September. Thereafter, a 25% administration fee will be charged. Cheques
(drawn on a UK bank) or international money orders payable to: ICMAI'95.

Mail registration form and cheque (drawn on a UK bank) / money order to: 
ICMAI'95 / Faculty of Music / University of Edinburgh
12 Nicolson Square / EH8 9DF Edinburgh / U.K.
(in addition, email copy of registration form to: emilios@music.ed.ac.uk)


* The Pollock Halls of Residence is situated next to the Royal Park of 
Holyrood which is a unique enclave of wilderness within the city centre. 
Single room with shared facilities accommodation has been reserved for all 
who wish it. Room bookings should be made as soon as possible. Please note 
that accompanying persons not wishing to attend the conference do not pay 
a registration fee but are required to pay VAT 17.5% on top of the above 
price (19.95+3.40=23.35 pounds) per night. Booking of rooms outwith the 
congress period should be made directly with Pollock Halls 
(tel. +44-131-6671971).