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Article #71995 INTERNATIONAL CONGRESS IN MUSIC AND ARTIFICIAL INTELLIGENCE
From: geraint
Date: Tue, 18 Jul 1995 00:00
Date: Tue, 18 Jul 1995 00:00
182 lines
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7830 bytes
Call for Participation
INTERNATIONAL CONGRESS
IN MUSIC AND ARTIFICIAL INTELLIGENCE
University of Edinburgh
Department of AI and Faculty of Music
15-17 September 1995
THE ICMAI'95
The International Congress in Music and AI will be held in Edinburgh,
Scotland. The conference is organised by the Faculty of Music and the
Department of AI at Edinburgh University.
Its main objective is to foster investigation of theories of music and
musical thought, and their relation to computation and AI systems. The
link between these two approaches - which has not received great attention
until now - is the main topic to be addressed. The aim is to stimulate the
exchange of ideas on the possibilities of extending or formulating new
(computational) theories of musical knowledge and cognition that may be
used to represent and manipulate musical structures and processes. Such
theories may provide useful insights into compositional, analytic and
educational aspects of musical practice.
The congress starts on early evening of Friday 15 September with a welcome
reception and a concert of contemporary music. On Saturday and Sunday
all the talks, presentations and panel discussions will take place from
morning till late afternoon. A second concert of contemporary music is
programmed for Saturday evening. Papers have been selected from aubmissions
by many authors world-wide. The full programme for the paper sessions is
announced below.
The conference is supported by the IEEE CS Technical Committee on Computer
Generated Music, the Faculty of Music and Department of Artificial Intelligence
of the University of Edinburgh, Edinburgh District Council, and Lothian and
Edinburgh Enterprise Ltd.
MAIN AREAS OF INTEREST
- Musical Formalisms
- Cognitive Models of Music
- Intelligent Musical Tools
KEYNOTE SPEAKERS
- Clarens Barlow (Institute of Sonology, The Hague)
- Stephen McAdams (IRCAM, Paris)
- Robert Rowe (University of New York)
PROGRAM COMMITTEE
Emilios Cambouropoulos, Antonio Camurri, Marc Leman,
Alan Marsden, Peter Nelson, Alan Smaill, Geraint Wiggins
FURTHER INFORMATION
Emilios Cambouropoulos
Faculty of Music/Univ. of Edinburgh/12 Nicolson Sq./EH8 9DF Edinburgh/U.K.
Email: emilios@music.ed.ac.uk
PROGRAMME
Alongside the three invited addresses, the following submitted papers will be
presented at the conference.
"Representing Musical Knowledge in a Jazz Improvisation System"
Damon Horowitz,
MIT Media Lab
"COLERIDGE: Composition Learning Environment for Reflection about
Intention and Dialogue regarding Goals of Education"
J.Cook, School of Technology & Information Studies, Thames Valley Univ.
Nigel Morgan, Institute of Popular Music, Liverpool University
"A General Pitch Interval Representation"
Emilios Cambouropoulos,
Faculty of Music & Dept of AI, Univ of Edinburgh
"A self-organizing map that generates melodies"
Mauri Kaipainen, Petri Toiviainen, and Jukka Louhivuori
Dept. of Musicology, University of Jyvaskyla, Finland
"Formalisation of Computer Music Interaction Through a Semiotic Approach"
Fernando Iazzetta,
Center of New Music and Audio Technologies, Berkeley
"Toward an Integrated Agent Architecture for Real-Time, Multi-Modal
Interaction in Multi-media Systems"
Antonio Camurri, Alessandro Catorcini, Carlo Innocenti, Alberto Massari
Dept. of Communication, Computer and System Sciences, Univ. of Genova
"Implementing a Generative Grammar for Music"
Carron Robbie,
Dept. of AI, University of Edinburgh
"Representing temporal Musical Objects and Reasoning in the MusES system"
F. Pachet, G. Ramalho, J. Carrive, G. Cornic
LAFORIA-IBP, Universite Paris 6
"Tonal Context Time Course Calculation"
Ozgur Izmirli, Semih Bilgen
Electrical and Electronics Engineering. Dept,
Middle East Technical University, Ankara, Turkey
There will also be a session of posters and demonstrations including
"The Road Not Taken but Constructed: Waveforms with Multiple Cycle
lenghts and Multiple Paths"
Arun Chandra,
Scool of Music, Univ. of Illinois
"The Analysis and Synthesis of the Singing Voice"
Ken Lomax
Oxford University
REGISTRATION FORM
Please print out and fill in the ICMAI'95 Registration Form.
------------------------------- cut here --------------------------------
Name: _________________________________________________________________
Institution/Organisation:________________________________________________
Address:_________________________________________________________________
____________________________________ Postcode ___________________
Email: ____________________________________ Tel: ___________________
Registration Fee (60 pounds) ___________
Student Registration Fee (20 pounds) ___________
B&B accommodation*, Friday 15 September (19.95 pounds) ___________
B&B accommodation*, Saturday 16 September (19.95 pounds) ___________
B&B accommodation*, Sunday 17 September (19.95 pounds) ___________
total ___________
Signature: _____________________________ Date: _______________________
Payment should be in pounds sterling and should accompany the registration
form. Fees must be paid in full before the congress is due to commence.
Full refund for the fees will be given for cancellations received before
1 September. Thereafter, a 25% administration fee will be charged. Cheques
(drawn on a UK bank) or international money orders payable to: ICMAI'95.
Mail registration form and cheque (drawn on a UK bank) / money order to:
ICMAI'95 / Faculty of Music / University of Edinburgh
12 Nicolson Square / EH8 9DF Edinburgh / U.K.
(in addition, email copy of registration form to: emilios@music.ed.ac.uk)
* The Pollock Halls of Residence is situated next to the Royal Park of
Holyrood which is a unique enclave of wilderness within the city centre.
Single room with shared facilities accommodation has been reserved for all
who wish it. Room bookings should be made as soon as possible. Please note
that accompanying persons not wishing to attend the conference do not pay
a registration fee but are required to pay VAT 17.5% on top of the above
price (19.95+3.40=23.35 pounds) per night. Booking of rooms outwith the
congress period should be made directly with Pollock Halls
(tel. +44-131-6671971).
Technical Details
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X-Google-Language: ENGLISH,ASCII-7-bit X-Google-Thread: f569d,84d52b43038c7d7d,start X-Google-Attributes: gidf569d,public X-Google-Thread: f7536,84d52b43038c7d7d,start X-Google-Attributes: gidf7536,public X-Google-Thread: 1288e1,84d52b43038c7d7d,start X-Google-Attributes: gid1288e1,public X-Google-Thread: fd7a7,84d52b43038c7d7d,start X-Google-Attributes: gidfd7a7,public X-Google-Thread: f49f0,84d52b43038c7d7d,start X-Google-Attributes: gidf49f0,public X-Google-Thread: 10461e,84d52b43038c7d7d,start X-Google-Attributes: gid10461e,public X-Google-Thread: 109765,84d52b43038c7d7d,start X-Google-Attributes: gid109765,public X-Google-Thread: 160d83,84d52b43038c7d7d,start X-Google-Attributes: gid160d83,public From: geraint@aisb.ed.ac.uk () Subject: 1995 INTERNATIONAL CONGRESS IN MUSIC AND ARTIFICIAL INTELLIGENCE Date: 1995/07/18 Message-ID: <DBx43q.4BB@aisb.ed.ac.uk> X-Deja-AN: 106441190 sender: news@aisb.ed.ac.uk (Network News Administrator) organization: Dept AI, Edinburgh University, Scotland reply-to: geraint@aisb.ed.ac.uk () newsgroups: ai.general,ai.seminars,comp.ai,comp.ai.edu,comp.multimedia,comp.music,ed.general,local.general