Article View: aus.net.status
Article #145Re: Erik's entry into abstraction: Open Critique
From: Kay again
Date: Sun, 06 Jun 1999 00:00
Date: Sun, 06 Jun 1999 00:00
41 lines
3124 bytes
3124 bytes
Erik A. Mattila wrote in message <3759B5D1.9DC507@tomatoweb.com>... :I met an artist several years ago who did this. He painted on sheet metal, :and his studio was somewhat like an autobody shop. His brush was a A1 :quality Binks spray gun, and his medium was automobile acrylics. He would :spray the metal sheed in a color. Then he would dip his hand in a bucket :of water and sprinkle water drops all over the sheet (which was laying :flat, of course) These auto-aacrylics dried in about five minutes, so he :would then wipe off the water spots, which allowed the first color to show :through, He would repeat this process with different colors several :times. At intervals he would lightly sand the surface (as the water globs :left a ring of paint skin sticking up in the air). At any rate, after :about a hundred steps, he had a quite wonderful painting. Rally impressive :stuff. (I can't remember his name -- Mike B...?). : :Erik : :Quo Vadis wrote: : :> In article <37583C8C.9A189803@tomatoweb.com>, Erik A. Mattila :> <emattila@tomatoweb.com> writes :> :> >Speaking of which, has anybody out there used the irridescent and :> >interference pigments that are out on the market? I love these, :> >especially the interference acrylics (Golden). They are quite :> >mysterious, and it is possible to make a painting that would be next to :> >impossible to reproduce. For those who are adamant about singularity. :> > :> >Erik Mattila :> :> I have, though I tend to avoid the gold and silver ones. There are :> several products that you can mix in to the paint such as glass beads. I :> have been trying to create a more unique surface lately - by pouring :> layer and layers of paints in different proportions of oil to :> turps/resin which give a *glow* that is very mysterious. Many of the :> effects look like the moon's surface. Also I have been using latex mixed :> in with acrylics and then painted over with glazes of oil and resin. :> Maybe I will be able to explain the process better when I have worked :> some more on it. :> Alison. :
Technical Details
Message-ID:
<pcp63.3047$D_5.56449@news2.giganews.com>Path:
arc1-ca.pugleaf.net!unknown!not-for-mailReferences:
<Wvq53.7534$4b.191339@news2.giganews.com> <7j8n2h$du5$1@nnrp1.deja.com> <37583C8C.9A189803@tomatoweb.com> <YSvhD6BWvUW3Ew3H@raimes.demon.co.uk> <3759B5D1.9DC507@tomatoweb.com>Show Full Headers
Complete Article Headers
X-Google-Language: ENGLISH,ASCII-7-bit X-Google-Thread: 107651,ab04d4d130ac2773 X-Google-Attributes: gid107651,public From: "Kay again" <scarlettaz@theriver.com> Subject: Re: Erik's entry into abstraction: Open Critique Date: 1999/06/06 Message-ID: <pcp63.3047$D_5.56449@news2.giganews.com> X-Deja-AN: 486238406 Content-Transfer-Encoding: 7bit References: <Wvq53.7534$4b.191339@news2.giganews.com> <7j8n2h$du5$1@nnrp1.deja.com> <37583C8C.9A189803@tomatoweb.com> <YSvhD6BWvUW3Ew3H@raimes.demon.co.uk> <3759B5D1.9DC507@tomatoweb.com> Content-Type: text/plain; charset="iso-8859-1" X-MimeOLE: Produced By Microsoft MimeOLE V4.72.3110.3 X-Abuse-Info: Otherwise we will be unable to process your complaint properly X-Complaints-To: abuse@GigaNews.Com X-Trace: sv1-4JkCQYXHmPxC6W8BgVc5Wj7lUvo4hcEbTtKH/BPjLja+e6/yvhqSGj0ZsGCButD1X4vl5MdrQz7HZBQ!d8Lez+dpMGnG Organization: Giganews.Com - Premium News Outsourcing MIME-Version: 1.0 NNTP-Posting-Date: Sun, 06 Jun 1999 02:13:25 CDT Newsgroups: aus.net.status