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FILM & HISTORY
An Interdisciplinary Journal of Film and Television Studies

Volume 28, Numbers 3-4 (1998)

Table of Contents

The Editor's Reflections and Reports. Peter C. Rollins 1

Special Editor's Introduction. Robert Brent Toplin  4

Oliver Stone as Cinematic Historian, Part II

New Left, Revisionist, In-Your-Face History: Oliver Stone's Born on the Fourth
of July Experience.  Jack E. Davis 6

Oliver Stone's Salvador (1986): Revolution for the Unacquainted.
Dale T. Graden and James W. Martin 18

Way Cooler than Manson: Natural Born Killers (1994).
David T. Courtwright 28

Jim Morrison, Oliver Stone, and the Quest for the Sixties.
Barbara L. Tischler 38

Eisenstein Anniversary Essay (1898-1998)

Remembering Sergei Mikhailovich Eisenstein, 1898-1998: Wagnerian Opera in
Stalin's Diplomacy.  R. C. Raack  48

An Encomium to Richard Raack, Historian-Filmmaker.
Peter C. Rollins 57

Saving Private Ryan Discussion

Realism, Genre, and Saving Private Ryan.
Phil Landon 58

Make You Look: Towards a Critical Evaluation of Steven Spielberg's Saving
Private Ryan. Laurent Ditmann 64

An Internet Discussion of Saving Private Ryan.
Opinions from H-PCAACA 72

Film Reviews

Agnes Merlet. Artemisia (1998). John C. Tibbetts 82

Alamance. Lue Simopoulos. Craig Thompson Friend 84

Olympia (1997). Bob Byington. Beatriz Badikian 86

Book Reviews

Don Kunz, Editor. The Films of Oliver Stone.
 Robert Fyne 92

Isabel Cristina Pinedo. Recreational Terror: Women and the Pleasures of Horror
Film Viewing. Suzanne Broderick  93

Bernard Dick. City of Dreams: The Making and Remaking of Universal Pictures.
        Wallace Bullock 94

Karl E. Cohen. Forbidden Animation: Censored Cartoons and Blacklisted
Animators
in America.      Michael Yates 95

Stanley Corkin. Realism and the Birth of the Modern United States: Cinema,
Literature, and Culture. Michael J. Strada 96

Donald Crafton. The Talkies: American Cinema's Transition to Sound, 1926-1931
(History of the American Cinema, 4). John C. Tibbetts 97

Paul M. Edwards. A Guide to Films on the Korean War.
Robert Fyne 98

Peter C. Rollins and John E. 0' Conner, Editors. Hollywood's Indian:
The Portrayal of the Native American in Film. Marshall W. Fishwick 99

Melissa E. Biggs. French Films, 1945-1993:
A Critical Filmography of the 400 Most Important Releases.
Laurent Ditmann 100

Patrick McGilligan. Fritz Lang: The Nature of the Beast.
Peter Rollberg 101

Leslie Midkiff DeBauche. Reel Patriotism: The Movies and World War I.
Peter C. Rollins and John E. O'Connor. Hollywood's World War I: Motion Picture
Images.   Robert W. Matson  102

Panivong Norindr. Phantasmatic Indochina: French Colonial Ideology in
Architecture,  Film, and Literature. Laurent Ditmann 103
Eileen Whitfield. Pickford: The Woman Who Made Hollywood. University Elizabeth
Abele 104

Thomas Schatz. Boom and Bust: The American Cinema in the 1940s
(History of the American Cinema, 6). Robert Fyne 105

McGilligan, Patrick and Paul Buhle. Tender Comrades:
A Backstory of the Hollywood Blacklist.
Bernard Weinstein 106
James E. Wise Jr. and Anne Collier. Stars in Blue: Movie Actors in America's
Sea
Services. David Wilt 107

International Liaison

Cambridge Colloquium. Richard Howells, Europe
108

Film and History in Scandanavia. Hannu Salmi, Scandinavia
109


More information is on the Film & History Web site:

http://h-net.msu.edu/~filmhis

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Online resources for film/TV studies may be found at ScreenSite
http://www.tcf.ua.edu/screensite