🚀 go-pugleaf

On Mar 29, 1:25 am, Franz Gnaedinger <f...@bluemail.ch> wrote:
> On Mar 29, 4:27 am, elizabeth <messageform...@yahoo.com> wrote:
>
>
>
> > Farey did the Marlovians, Baconians and Strats
> > a great service by eliminating Oxford (as did Reedy
> >  and Simonton).
>
> > No amount of evidence will stop the Oxfordians
> > however, as they are running on a sort of religious
> > exhilaration.
>
> For the record, Farey did not reply to me and did not answer
> my question or pose me the single most important question
> I would then answer, instead he replied to the junk alias johnk
> of my second longtime online stalker Panu Petteri Höglund
> alias John Bulkington alias Patrick Karl alias he himself as
> his own good friend and pupil Sean Connor soconn1 alias
> he himself as his own brother in arms and stalking aide John
> Hobart Kyle jhobartkyle johnk alias he himself as his own bride
> Annina Kaartinen alias a Rumanian professor who claims to
> have discovered the origin of language alias he himself as his
> own bride Maria Kupari alias Peter Groves, the latter his last
> alias created for this very discussion, my stalker is spawning off,
> and Farey replied to him because he can't discuss with me.
> Fine way of arguing, I must say. And you, Elizabeth, play
> the keyboard of reproaches up and down instead of delivering
> interpretations, for example how do you explain the key scene
> of Titus Andronicus, Young Lucius quoting two lines by Horace
> and handing them over as his "weapon"? I don't engage myself
> in conspiracy theories, I look out for meaning, and I delivered
> interpretations of five plays that show them and the author,
> or rather double author - both your poets -, in a new light.
> What can you hold against it? only reproaches and general
> accusations?

Your paranoia is as worrisome as your writing style (if it can be
called that).  Peter Groves is not an alias of your alleged stalker.
He is, in fact, an actual person.  see the following link:
http://arts.monash.edu.au/ecps/people/peter-groves/

Peter Groves was educated in the UK at the universities of Exeter and
Cambridge; he has been teaching at Monash University since 1980 (his
main teaching interests are in poetry, sixteenth- and seventeenth-
century literature, and stylistics). He is the author of Strange
Music: The Metre of the English Heroic Line (ELS 1998), and his work
on metre and versification has been published in such international
journals as Shakespeare, Style and Versification; he has also
contributed several articles to the Oxford Encyclopedia of Semiotics.

If you devoted a mere minute of time looking into Professor Grove's
presence here at HLAS (and we're lucky to have someone with his
expertise) you would have realized your error.

Dom